One of my favorite aspects
of writing mysteries is that I can be in complete control of the
process, from beginning to end. Such independence was not possible
when I was a songwriter back in the 1980s and ’90s. Although I
could pen the lyrics and compose a melody line and chords to go along
with them, the song was never “complete” until I got the band
together and we worked out a full-fleshed arrangement. And unlike
with fiction writing, a song doesn’t really exist until performed
or recorded, which also (at least for me) requires the assistance of
others.
But as with many things in
life, there’s a downside to the independence inherent in
fiction-writing: It can be a lonely calling. And discouraging, too,
when those rejection letters start pouring in.
Tournament of Roses poster
in the hotel hallway
The main reason I signed up
for the conference was to attend the classes. And, for the most part,
they were terrific: lectures on how to bring your characters to life,
crime scene investigation, and page-turning techniques; panel
discussions on outlining vs. seat-of-the-pantsing, marketing, and the
role of agents and editors.
authors discussing their
revision techniques
agent Ann Collette advises
us on
the DOs and DON’Ts of
mystery writing
In addition, we were treated
to keynote speeches by two of the brightest mystery stars of our
generation: Sue Grafton and Elizabeth George.
Sue Grafton spoke at lunch
on Saturday, and made us all feel better about our rejections when we
learned that, not only was she not an overnight success with her
alphabet series, but that A Is For Alibi was her eighth novel.
She explained how she thinks
of herself as having a variety of personas: “she who speaks,”
“she who writes,” “the rebel” and “the warrior.” In
addition, she thinks of herself as having what she calls the
contradictory voices of “the ego” and “the shadow”—a bit
like the angel on one shoulder and the devil on the other. Grafton
then paused, and told us that after saying all this to another
audience some time back, she had received a letter from one of the
attendees saying: “Thank you for having the courage to talk about
your mental illness.”
I’ll pass along a good tip
she gave us: If you ever experience writer’s block, it’s likely
because you took a wrong turn at some point. Go back in your story
until you find where you took that wrong turn and fix it.
Elizabeth George spoke on
Sunday. I’m not a huge fan of her novels, which are too drawn out
and slow-moving for my taste, but I was impressed by her personally.
She is so warm and heartfelt, and clearly cares deeply about the
writer’s craft and the nurturing of new writers. I got the feeling
that if I met her in the street she would give me a big hug.
George spoke at length about
what “the gift of being a writer” means. Above all, it means
having the love of language, she said. And of being ready and aware
at all times, and seeing possibilities, such as a snatch of
conversation, or the detail in a place that can tell a story. “My
written language, however, is much better than my spoken language,”
she confessed. “I can’t even pronounce some of the words I use in
my novels.”
clockwise from top:
author/journalist Hank Phillippi Ryan,
Sisters in Crime/L.A.
President Patricia Smiley;
Elizabeth George; Sue
Grafton
(I stood next to the “official” photographer to get this shot)
I took copious notes, met
influential agents and editors, and emerged from the conference
invigorated and eager to attack my manuscript anew and make myriad
revisions.
But the best part of it all,
without doubt, was meeting other writers—published authors happy to
discuss their beginnings and give encouragement and advice; and folks
like me, still shopping their manuscripts and dreaming of that
elusive phone call from the agent who wants your book.
I made a host of new writer
friends, found a new m.s.-swap group, and came out of the conference
feeling truly connected—not lonely anymore.
Sounds great, Leslie. I'm not a crime fiction writer, but I read a lot of it, and have found that both crime fiction readers and writers tend to be very nice, smart and generous types. Glad to hear you're making friends in that realm.
ReplyDeleteGlad this was a good experience, Leslie. Sue Grafton is a fave (though I think her formula is a little tired), but love Elizabeth George -- the heiress to P.D. James who, in my view, is the current reigning mistress. Chacun (Chacune?) a son gout . . .) Lisa L
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